- Accessible essays that are designed to serve as a touchstone for discussion in the classroom both at postgraduate and advanced undergraduate levels. - Addresses historical anti-feminisms as a means of framing, situating, and interrogating the relationship between contemporary feminisms and anti-feminist manipulations and denigrations. - Engages with the quandary of how to define feminism and live feminist lives in relation to a dense web of pejorative language and concepts that flourish in popular culture. - Actively explores feminist struggles to acknowledge and incorporate people of color, anti-racist and LGBTQIA+ individuals and politics, and relates this to the ways anti-feminists have strategically deployed these debates to thwart the associated movements.

- Accessible essays that are designed to serve as a touchstone for discussion in the classroom both at postgraduate and advanced undergraduate levels. - Addresses historical anti-feminisms as a means of framing, situating, and interrogating the relationship between contemporary feminisms and anti-feminist manipulations and denigrations. - Engages with the quandary of how to define feminism and live feminist lives in relation to a dense web of pejorative language and concepts that flourish in popular culture. - Actively explores feminist struggles to acknowledge and incorporate people of color, anti-racist and LGBTQIA+ individuals and politics, and relates this to the ways anti-feminists have strategically deployed these debates to thwart the associated movements.

Thoughtful, witty, and illuminating, in this book Michele White explores the ways normative masculinity is associated with computers and the Internet and is a commonly enacted online gender practice. Through close readings and a series of case studies that range from wedding forums to men's makeup video tutorials, White considers the ways masculinities are structured through people's collaborations and contestations over the establishment of empowered positions, including debates about such key terms and positions as "the nice guy," "nerd," "bro," and "groom." She asserts that cultural notions of masculinity are reliant on figurations of women and femininity, and explores cultural conceptions of masculinity and the association of normative white heterosexual masculinity with men and women. A counterpart to her earlier book, Producing Women, White has crafted an excellent primer for scholars of gender, media, and Internet studies.

The greatest story ever told was honed like any good performance, on the road in front of audiences. Acclaimed scholar L. Michael White challenges us to read the gospels as they were intended--as performed stories of faith, not factual accounts--and illuminates the agendas that motivated each of their authors. A fresh account of the gospels that have shaped centuries of Christian belief, "Scripting Jesus" offers important insight into how we can understand Jesus's story today.

The first major publication in more than thirty years on contemporary artist Chryssa, an innovator of light art Chryssa & New York offers a timely reassessment of Greek-born artist Chryssa (Chryssa Vardea-Mavromichali, 1933-2013). Chryssa was a leading figure in the postwar New York art world and in the use of signage, text, and neon, yet her work, which bridges Pop, Conceptual, and Minimalist approaches to art making, remains under-recognized. Focusing on the artist's early career, in particular her time in New York from the 1950s to the 1970s, this book charts the emergence of her singular aesthetic, especially her formal innovations with neon, and culminates in the development of her monumental and rarely seen installation The Gates to Times Square (1964-66). Essays situate Chryssa's art alongside that of other New York-based practitioners in the 1950s and 1960s, consider her work through the lenses of queer theory and the Greek diaspora, and uncover her crucial influence on light art today. Rounding out the volume, a conversation on the technical aspects of her practice and a comprehensive chronology make this the definitive publication on Chryssa for years to come. Distributed for Dia Art Foundation and the Menil Collection, Houston Exhibition Schedule: Dia Chelsea, New York (March 2-July 23, 2023) Menil Collection, Houston (September 29, 2023-March 10, 2024) Wrightwood 659, Chicago (May 1-August 15, 2024)

Producing Women examines the ways femininity is produced through new media. Michele White considers how women are constructed, produce themselves as subjects, form vital production cultures on sites like Etsy, and deploy technological processes to reshape their identities and digital characteristics. She studies the means through which women market traditional female roles, are viewed, and produce and restructure their gendered, raced, eroticized, and sexual identities. Incorporating a range of examples across numerous forms of media-including trash the dress wedding photography, Internet how-to instructions about zombie walk brides, nail polish blogging, DIY crafting, and reborn doll production-Producing Women elucidates women's production cultures online, and the ways that individuals can critically study and engage with these practices.

According to traditional accounts, Newton was the first modern scientist. As creator of the theory of gravity, calculus, modern theories of light and devisor of the three laws of mechanics, his methods are perceived as the genesis of modern science. Yet the traditional version of his life fails to tell the full story. How, for example, could Newton's apparent empiricism be married with his interest in alchemy and magic? What had inspired him in his discoveries? How did he reconcile his scientific discoveries with his religious faith? Who was this man who, historians tell us, remained a virgin all his life and who seemed to be an argumentative egomaniac on the one hand, and a kindly old man on the other?

Thinking German Translation is a comprehensive practical course in translation for advanced undergraduate students of German and postgraduate students embarking on Master's translation programmes. Now in its third edition, this course focuses on translation as a decision-making process, covering all stages of the translation process from research, to the 'rewriting' of the source text in the language of translation, to the final revision process. This third edition brings the course up to date, referencing relevant research sources in Translation Studies and technological developments as appropriate, and balancing the coverage of subject matter with examples and varied exercises in a wide range of genres from both literary and specialised material. All chapters from the second edition have been extensively revised and, in many cases, restructured; new chapters have been added-literary translation; research and resources-as well as suggestions for further reading. Offering around 50 practical exercises, the course features material from a wide range of sources, including: business, economics and politics advertising, marketing and consumer texts tourism science and engineering modern literary texts and popular song the literary canon, including poetry A variety of translation issues are addressed, among them cultural differences, genre conventions, the difficult concept of equivalence, as well as some of the key differences between English and German linguistic and textual features. Thinking German Translation is essential reading for all students seriously interested in improving their translation skills. It is also an excellent foundation for those considering a career in translation. A Tutor's Handbook offers comments and notes on the exercises for each chapter, including not only translations but also a range of other tasks, as well as some specimen answers. It is available to download from www.routledge.com/9781138920989.

Maps of Narrative Practice provides brand new practical and accessible accounts of the major areas of narrative practice that White has developed and taught over the years, so that readers may feel confident when utilizing this approach in their practices. The book covers each of the five main areas of narrative practice-re-authoring conversations, remembering conversations, scaffolding conversations, definitional ceremony, externalizing conversations, and rite of passage maps-to provide readers with an explanation of the practical implications, for therapeutic growth, of these conversations. The book is filled with transcripts and commentary, skills training exercises for the reader, and charts that outline the conversations in diagrammatic form. Readers both well-versed in narrative therapy as well as those new to its concepts, will find this fresh statement of purpose and practice essential to their clinical work.